They and their conspicuous stunt doubles engage in a battle with punches and judo throws. She is a soldier being trained by Yon-Rogg, played with elusive slickness by Jude Law, who wears vampire-yellow contact lenses. We meet the heroine when she is known as Vers, (pronounced Veers) living on the planet of the Kree race. The supporting cast offers some of the film’s most enjoyable surprises. Why the Oscars ignore the best films of the year.The Aftermath: ‘A mildly engaging trifle’.Captain Marvel may be good enough to satisfy the series’ built-in audience, but might disappoint anyone expecting more. Larson fits seamlessly into the world of the Avengers, which means leaping into space and sending blue beams of energy from her fists. It is an action movie shaped by the Marvel cookie cutter, with perfectly adequate but unsurprising special effects. That opening sets up the film’s otherworldliness, its personal mystery – what is happening in that memory? – and above all, its action.Īn avalanche of publicity has touted the first female superhero to carry a Marvel film, but this is not the women’s empowerment story the orchestrated hype claims. She actually has an inner glow, bright light shining out from her hands. Larson’s character, who has not yet become Captain Marvel, wakes from this memory in the form of a dream, but her real life is even stranger. There’s a glimpse of Annette Bening holding a gun. And - similar to Ted Lasso's - the movie's overall messages of kindness, nonviolence, and free choice are always refreshing.A slow-motion explosion in a barren landscape sends Brie Larson flying to the ground, blue blood running from her nose. Perhaps all that wasn't necessary, however, to maintain the movie's sweetness. And Levy's careful, streamlined flow prevents Free Guy from ever becoming hugely outrageous, zany, or gut-bustingly funny. But bits and pieces do feel borrowed from many, many other movies. The movie's visual effects and production design effectively capture the specific feel of a Grand Theft Auto-like video game (albeit PG-13 rated), which is something most movies have so far failed to achieve. Comer is also quite wonderful: Molotov Girl/Millie is a fully fleshed-out female co-lead rather than simply a romantic sidekick. He avoids a repeat of his snarky, look-at-me Deadpool humor and nails a new kind of sweet naivete that's not unlike that of Will Ferrell in Elf or Jim Carrey in The Truman Show. Reynolds is the real selling point of Free Guy. To stay in the loop on more movies like this, you can sign up for weeklyĪ tad formulaic and not quite as edgy as it might have been, Shawn Levy's video game comedy still gets by on an unwavering cheerfulness, unvarnished likability, and a steady stream of solid giggles. There are some jokey references to other Disney-owned brands. Language includes a use of "f-k," a near use of "motherf-r" (a well-placed cut saves the day), and some uses of "s-t," "ass," "goddamn," etc. Male and female characters kiss, a blonde "bombshell" NPC is shown off for her sex appeal (she's designed to be "arm candy"), and there's some sexual innuendo and sex-related dialogue. The main character has a broken nose with some blood shown. It contains giant-sized video game-type violence, with guns and shooting, explosions, car chases and crashes, fighting, and falling. It's a tad formulaic and not very edgy (it copies ideas from many other movies), but it's quite likable and cheerful, with positive vibes and plenty of giggles. Parents need to know that Free Guy is a sci-fi/action comedy about Guy ( Ryan Reynolds), a non-player character (NPC) in a video game, who finds a higher purpose.
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